Peter Hoare

Hodie (This Day): Choral: No Sad Thought His Soul Affright

Der glorreiche Augenblick, Op. 136: Es treten hervor (Chorus)

Der glorreiche Augenblick, Op. 136: Recitative and Quartet: Der den Bund im Sturme fest gehalten (Seherin, Vienna, Fuhrer des Volkes, Genius)

Betrothal in a Monastery, Op. 86, Act 2: "My beard? My beard is not at all bad""

Katya Kabanova, JW 1/8, Act I Scene 2: Do you not love me any more? (Katya, Tichon)

Gloriana, Op. 53: 28. Conversation & the Queen's Entrance

Betrothal in a Monastery, Op. 86, Act 3: "How my soul is beaming!"

Fantasia in C Minor, Op. 80 "Choral Fantasy"

Der glorreiche Augenblick, Op. 136: Aria With Chorus: O Himmel, welch' Entzucken! (Vienna, Chorus)

Betrothal in a Monastery, Op. 86, Act 4: "Don Jerome, Don Jerome!"

Betrothal in a Monastery, Op. 86, Act 1: "Stop that mewing"

The Sacrifice: Interlude -

Hodie (This Day): Epilogue: In the Beginning Was the Word

Betrothal in a Monastery, Op. 86, Act 3: "Come in, come in"

The Gospel According to the Other Mary, Act II Scene 6: And, Behold, There Was a Great Earthquake

Lessons in Love And Violence: Part 1, Scene 2: I. Who Are These People, Mortimer?

Betrothal in a Monastery, Op. 86, Act 4: "Son! At last"

Belisario, Act 1: "O desio della vendetta" (Antonina, Eutropio)

The Gospel According to the Other Mary, Act II Scene 4: His Son Cried Out to Him

Betrothal in a Monastery, Op. 86, Act 4: "Straight down to business now, Don Ferdinand"