Catherine Pierard
Popular
Dioclesian, Z. 627, Act II: Charon the peaceful Shade invites (Soprano)
The Rape of Lucretia, Op. 37, Act II Scene 2: Is it all? Is all this suffering and pain, is this in vain? (Female Chorus, Male Cho
Dioclesian, Z. 627, Masque: The Third Entry. Tell me why (Shepherd, Shepherdess)
The Rape of Lucretia, Op. 37, Act II Scene 1: The prosperity of the Etruscans was due to the richness of their native soil (Lucia,
L'incoronazione di Poppea, SV 308, Act 1: "Seneca, io miro in cielo" (Pallade, Seneca)
War and Peace, Op. 91, Scene 3: The young Prince's fiancée (Old Footman, Housemaid, Valet, Count Rostov, Natasha, Princess Mariya)
The Rape of Lucretia, Op. 37, Act II Scene 2: This dead hand lets fall all that my heart held when full (Collatinus, Junius, Bianc
Die Zauberflöte, K. 620, Act 2 Scene 24: Dialog, "Da bin ich schon, mein Engel! … Fort mit dir, junges Weib!" (Ein altes Weib, Papageno, Sprecher)
Dioclesian, Z. 627, Act II: Song "Charon the peaceful Shade invites" (Soprano)
The Rape of Lucretia, Op. 37, Act I Scene 2: Their spinning wheel unwinds dreams which desire has spun (Lucretia, Bianca, Lucia, F
The Rape of Lucretia, Op. 37, Act I Scene 2: None of the women move. It is too late for a messenger (Lucretia, Bianca, Lucia, Fema
War and Peace, Op. 91, Scene 3: Ah, Madam, young lady… (Prince Bolkonsky, Princess Mariya, Natasha, Count Rostov)
War and Peace, Op. 91, Scene 13: The Commander-in-chief is coming! (Adjutant, Denisov, Dolokhov, Vasilisa, Fyodor, Tikhon, Dunyash