Anne Dawson

The Immortal Hour, Act II: No. 20. This Nameless Lord (Eochaidh, Etain)

The Immortal Hour, Act 1 Scene 2: Good Folk, I Give You Greeting (Eochaidh/Etain/Manus)

The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act II: Dialogue. Whence Come You, Hussy? (Lockit, Lucy)

The Beggar's Opera: Act 3 No 17. Air 49 'O Bessy Bell'. A curse attends that woman's love (Polly/Lucy)

The Immortal Hour, Act 2: Etain, Speak, My Queen (Eochaidh/Etain)

Le nozze di Figaro, K. 492, Act IV: Recitativo. "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo)

The Immortal Hour, Act 2: I Am a Small Green Leaf in a Great Wood (Etain/Eochaidh/Midir)

The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 68. All You That Must Take a Leap. Would I Might Be Hang'd! (Lucy, Polly, Macheath, Jailer)

Invocation to Music: VII. Man, Born of Desire

The Beggar's Opera: Act 3 No 14. Air 47 'One evening, having lost my way'. I'm like a skiff on the ocean tossed (Lucy/Filch)

The Beggar's Opera: Act 2 No 28. Air 34 'All in the Downs' (Sandoni). Thus when the swallow, seeking prey (Polly/Macheath/Lucy)

The Dream of the Rood, Op. 19: No. 1, Behold! When Mortal Men Were at Rest

The Beggar's Opera: Act 2 No 32. Air 38 'Good-morrow, gossip'. Why how now, Madam Flirt? (Lucy/Polly)

The Immortal Hour, Act 2: This Nameless Lord (Eochaidh/Etain)

The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 55. Ianthe the Lovely (Barrett). When He Holds Up His Hand (Lucy, Lockit)

Invocation to Music: V. Love to Love calleth (Soprano, Tenor)

The Beggar's Opera: Act 3 No 33. Dialogue. My dear Lucy, my dear Polly (Macheath/Polly/Lucy)

Invocation to Music: I. Introduction

The Immortal Hour, Act 2: I, Too, Have Heard Strange Delicate Music (Etain)

The Immortal Hour, Act I Scene 2: No. 9, I, Too, Am Lifted with the Breath (Etain, Eochaidh)