Natalie Perez

25 Scottish Songs, Op. 108: No. 13, Come Fill, Fill, My Good Fellow!

La Chute de la maison Usher, L. 121: Prélude - "Dans la plus verte de nos vallées" (La Voix de Lady Madeline)

Polyphonic Italian Songs, WoO 99: No. 2, Ma tu tremi

63 Irish Songs, Pt. 1, WoO 152: No. 23, A Wand'ring Gypsey, Sirs, Am I

The Divan of Moses Ibn Ezra, Op. 207, Pt. 5 "The Transience of This World": No. 18, I Behold Ancient Graves

Polyphonic Italian Songs, WoO 99: No. 5c, Giura il nocchier

Der Kaiser von Atlantis, Op. 49b: Schau, die Wolken

Vendado es amor, no es ciego, Act I: Hermosísima imagen

63 Irish Songs, Pt. 2, WoO 153: No. 35, Norah of Balamagairy

26 Welsh Songs, WoO 155: No. 24, Three Hundred Pounds

Hochzeitslied, WoO 105 (First Version)

The Divan of Moses Ibn Ezra, Op. 207, Pt. 2 "Songs of Friendship": No. 6, O Brook

Die Zauberflöte, K. 620, Act I: Dialogue. He da! (Tamino) - Papageno! (The Three Ladies)

L'Amor Conjugale, Scena III: Recitativo "Sempre più son contento" (Peters, Floreska)

Venus y Adonis (Arr. by Alberto Miguélez Rouco): Recitativo. ¡Ah de esa triste boca! (Marte, Chorus, Cibeles)

Venus y Adonis (Arr. by Alberto Miguélez Rouco): Recitativo. Espera, detente (Adonis, Venus)

Venus y Adonis (Arr. by Alberto Miguélez Rouco): Aria. Adios, Venus bella (Adonis)

Venus y Adonis (Arr. by Alberto Miguélez Rouco): Recitativo. ¿Así te vas, lisonja del sentido? (Adonis)

L'Amor Conjugale, Scena IX: Recitativo "Floreska, ritirati" (Zeliska, Floreska, Peters)

L'Orfeo, SV 318, Act II: "Ma io, ch’in questa lingua" (Messaggiera)