The Mermaid (feat. Phillip Henry & Hannah Martin, Track Dogs, Matt Clifford, Johnny Kalsi, Phil Beer, The Lost Sound Chorus, Ross Wilson & Mark Tucker)
Saint Nicolas, Cantata for Tenor solo, Chorus, four Boy Singers and Orchestra, Op. 42: IV. Er fährt nach Palästina (Live Recording)
King Arthur, or the British Worthy (1691): Passacaglia - "How Happy the Lover" - Ritornello - "For Love Ev'ry Creature" - "No Joys Are Above" - "In Vain Are Our Graces" - "Then Use the Sweet Blessing"
Saint Nicolas, Cantata for Tenor solo, Chorus, four Boy Singers and Orchestra, Op. 42: III. Nikolaus weiht sein Leben Gott (Live Recording)
Saint Nicolas, Cantata for Tenor solo, Chorus, four Boy Singers and Orchestra, Op. 42: II. Die Geburt des Nikolaus (Live Recording)
Saint Nicolas, Cantata for Tenor solo, Chorus, four Boy Singers and Orchestra, Op. 42: I. Introduction (Live Recording)
L'Enfant et les sortilèges - Fantaisie lyrique en deux parties : Keng-ca-fou, mah-jong
Vespro della Beata Vergine: Laudate, pueri Dominum a 8
Saint Nicolas, Cantata for Tenor solo, Chorus, four Boy Singers and Orchestra, Op. 42: IX. Der Tod des Nikolaus (Live Recording)
Saint Nicolas, Cantata for Tenor solo, Chorus, four Boy Singers and Orchestra, Op. 42: Seine Frömmigkeit und seine wunderbaren Werke (Live Recording)
Saint Nicolas, Cantata for Tenor solo, Chorus, four Boy Singers and Orchestra, Op. 42: V. Nikolaus kommt nach Myra und wird zum Bischof gewählt (Live Recording)
Saint Nicolas, Cantata for Tenor solo, Chorus, four Boy Singers and Orchestra, Op. 42: VII. Nikolaus erweckt drei Knaben wieder zum Leben (Live Recording)
King Arthur, or The British Worthy (1691), Act 4: Passacaglia - "How happy the lover" - Ritornello - "For love ev'ry creature" - "No joys are above" - "In vain are our graces" - "Then use the sweet blessing"
King Arthur, or The British Worthy (1691), Act 1: "The white horse neigh'd aloud" / "To Woden thanks we render"