Gaia Petrone

Simon Boccanegra / Act 1: "Cielo di stelle orbato"

Requiem in D minor, K. 626 (arr. C. Czerny for soli, choir and piano 4 hands): Sequence No. 6: Lacrimosa dies illa (Chorus)

Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam"

Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam

Missa pro Defunctis in E-Flat Major, HocJ A1.3: VII. Agnus Dei, 1. Agnus Dei, qui tollis peccata mundi

Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (a) Hostias et praeces tibi, Domine

Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis

Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 1. Dies irae

Requiem in D minor, K. 626 (arr. C. Czerny for soli, choir and piano 4 hands): Sequence No. 1: Dies Irae (Chorus)

Requiem in D minor, K. 626 (arr. C. Czerny for soli, choir and piano 4 hands): Introit: Requiem aeternam (Soprano, Chorus) - Kyrie eleison (Chorus)

L'Angelica, Pt. 2: Se i rai del giorno (Live)

Messiah, HWV 56, Pt. 1: No. 6, But Who May Abide the Day of His Coming (Live)

Le nozze in villa, A. 4, Act II Scene 9: Sventurata Sabina (Live)

L'Angelica, Pt. 2: Dunque perché a Medoro (Live)

Margherita d'Anjou, Act I: Ah! Tu non sai com' io l'adoro (Live)

Requiem in D minor, K. 626 (arr. C. Czerny for soli, choir and piano 4 hands): Sequence No. 4: Recordare, Jesu pie (Soprano, Alto, Tenor, Bass)

Miserere in G Minor, HocJ C1.23: VI. Ecce enim veritatem

Xerse, Act III Scenes 11-14: Va', speranza - Romilda - Ecco lo sposo - Colà sul lito (Live)

Margherita d'Anjou, Act I: Maesta, due Francesi (Live)

Requiem in D minor, K. 626 (arr. C. Czerny for soli, choir and piano 4 hands): Benedictus (Soprano, Alto, Tenor, Bass, Chorus)